* These were the first three audio double blind tests ever done. |
For the first three comparisons of Power Amps, the 10 Watt Tubes vs. Dyna 400, the Paoli 60M vs. Dyna 400, and the Swartz 40 vs. the Dyna 400, the speakers were RTR Electrotstatics. |
The Swartz 40 is a 20 Watt per channel power amplifier with quasi-complimentary ouputs built exactly to the five transistor per channel design in the RCA Transistor Manual. By the espoused standards of subjectivists, nothing sould sound worse than this amplifier. |
The Tiger B vs. Dyna 400 and Dyna Mk III vs. Bose 1800 were compared on Ohm F speakers. Source equipment included a Shure V-15-III in an SME arm on a Thornes TD-125 turntable, and a Heath AP-1615 pre-amp. |
For the first four tests, the musical selection was the Harry James Sheffield Direct Disc, The King James Version. On the Dyna Mk III vs. Bose 1800 the music was from Cat Stevens. The Crown SA-2 vs Phase Linear 400 comparison used music from the first Sheffield Direct Disc by Thelma Houston, the Telarc Firebird, the Sheffield Lincoln Majorka volume II, Paul Simon's Rhymin' Simon, Loggins & Messina Best of Friends, and Leo Kottke. |
The smallest Magnepans with KEF B139 Subwoofers on a passive crossover were used for the Crown SA-2 vs. Phase Linear 400 test. The source equipment for this test was Shure V-15-IV, Dual 1019, and a Dyna PAT-5 with a Walt Jung Mod. |
For the ARC vs. CM Labs, a Janus cartridge in a Magnepan Unitrac arm on a Linn Sondek LP12 turntable fead an MX10a Audio Standards headamp driving a CM Labs CM901a preamp. The speakers were Acoustat MK121-2 full range electrostatics. These speakers required a great deal of power and the Audio Research D120 was unstable when clipped, which proved audible. For more detail on this test see the Carlstrom, Krueger, and Greenhill article listed on the ABX periodicals page. |
In the comparison of the 10 Watt tube amp vs. a Dyna 400, two mono non-identical 6V6 push-pull tube amps were paired for left and right channels. The better tube amp was a home brew with an honest 10 Watts and no controls. Its mate for the day in the second channel was a Heathkit that was always shy of its rated 7 watts and had tone controls which were set as flat as possible. Its frequency response curve was not bad but less than flat: |